Galerija Fotografija

Diana Lui, Euro Rotelli: Milan Image Art Fair

Date Artist Title

maj 3, 2012
Diana Lui, Euro Rotelli
Milan Image Art Fair

mar 30, 2012
Jane Štravs
American Express

jan 25, 2012
Milan Jaros
In the capital of concrete

dec 12, 2011
Eric Emo
Playing on the other side

nov 17, 2011
Uroš Abram
Recreation

okt 5, 2011
Metka Vergnion
Spiritual Garden

avg 30, 2011
Lottie Davis
Memories and Nightmares

jun 13, 2011
Euro Rotelli
The Body The Soul

maj 4, 2011
Walter Carone
Walter Carone 1920 - 1982

apr 6, 2011

Ira photographing

mar 8, 2011

From the Galerija Fotografija Collection

jan 26, 2011
Andrew Testa
The End of Balkania; Kosovo 1999-2009

dec 13, 2010
Marc Riboud
Huang Shan, Capital of Heaven & others

nov 10, 2010
Janez Pukšič
Polaroids

sep 30, 2010
Jane Štravs
Too much, too little

avg 30, 2010

Montenegro in the magic eye of princess Xenia

jun 17, 2010
Jan Saudek
The Divine Comedy

mar 9, 2010
Herman Pivk
PHOTOGRAPHS

jan 12, 2010
Jaka Babnik
We are dogs! 12.1.2010 - 23.2.2010

nov 5, 2009
Tihomir Pinter
Treasure: 5. 11. - 31. 12. 2009

okt 2, 2009
Paul Serrada
et in arcadia ego : 2.10. - 3.11.2009

sep 15, 2009
Žiga Koritnik
The Lake

sep 4, 2009
Angelika Sher
Twilight sleep

jun 16, 2009
Sheila Metzner
Time Line

apr 24, 2009
Roger Ballen
Boarding House

feb 12, 2009
Wilhelm Heiliger
Wilhelm Heiliger

nov 26, 2008
Galerie Remixx, Graz:
Galerie Remixx, Graz: Fine European Vintage Prints and Photo – Collages

okt 15, 2008
Metka Vergnion
Silence

jun 21, 2008

Museum Summer Night

jun 17, 2008
Sarah Moon
Circus

maj 7, 2008
Euro Rotelli
L’Amour et Psychè

apr 14, 2008
Bojan Radovič
Icon

mar 17, 2008
Igor Andjelić
No Room for Memories

feb 6, 2008
Sputnik
At the Border

feb 4, 2008
Aleš Bravničar
Miniverse

nov 23, 2007
Antonio Spinoza
Forever

okt 8, 2007
Diego Andrés Gómez
Diego Andrés Gómez

sep 14, 2007
Nobuyoshi Araki, Ralph Gibson, Nan Goldin, Helmut Newton, Jeanloup Sieff
Masters of Erotic Photography

avg 28, 2007
Yenny Huber
48stunden / Ljubljana, Vienna, Melbourne

jun 7, 2007
Thijs Wolzak
Real Photographs

maj 17, 2007
več avtorjev
City Art

apr 6, 2007
Tomaž Gregorič, IRWIN, Jane Štravs, Trie in Aleksandra Vajd&Hynek Alt
Not-quite/not-right: histories, bodies and concepts in conteporary photography

nov 28, 2006
Bryan Adams
Portfolio

nov 9, 2006
Milorad Krstić
Budapest

okt 9, 2006
Marjan Pfeifer
Nudes and Saltflats

sep 29, 2006
Elliot Erwitt, William Klein, Ralph Gibson, William Wegman, Diane Arbus, Nan Goldin
American Photography Week

jun 29, 2006
Aleksandra Vajd, Hynek Alt
Manwoman Unfinished 2001-2006

maj 11, 2006
Boris Gaberščik
Ordo ab chao

apr 4, 2006
Diana Lui
Trees, Individuals and Sexuality

feb 16, 2006
Boštjan Pucelj
Granny

jan 16, 2006
Archipenko, Chagall, Christo, Cruz-Diez, Girbes, Kandinsky, Matisse, Miró, Picasso, Rauschenberg, Soto, Vasarely, Warhol, Wesselman, Doisneau, Gibson, Gorman, Klein, Modotti, Newton, Riboud, Taylor-Wood, Sieff, Wegman
Art & Photography

nov 24, 2005
Janez Pukšič
Na oko

nov 18, 2005
Robert B. Haas
An Aerial Vision of Africa - Book Presentation

nov 18, 2005
Janez Vlachy
Sakura Yokohama

sep 22, 2005
Stojan Kerbler, Alenka Vidrgar, Dragomir Bole, Dragan Arrigler, Lado Jakša, Božidar Dolenc
Today About Yesterday

avg 30, 2005
Paul Lowe
Brazgotine

jun 22, 2005
Stephan Lupino
The best of Lupino / book presentation

jun 9, 2005
Franci Virant
Havana-Paris (2004-2005)

maj 9, 2005
Edi Šelhaus
60 Years of Victory Against Fascism

apr 14, 2005
več avtorjev
Hasselblad Masters

mar 10, 2005
Stephan Lupino
My Angels

jan 31, 2005
Jane Štravs
Road Movie

nov 26, 2004
Helmut Newton
Original Photographs

nov 19, 2004
Joco Žnidaršič
Lipizzaners

okt 28, 2004
Tomo Jeseničnik
Skeletons

okt 14, 2004
več avtorjev
Vodan

sep 16, 2004
Jože Suhadolnik
NSK 1984-1999

avg 24, 2004
Sibil Slejko
Iz konjske duše

jun 17, 2004
Matjaž Krivic
Silent Spaces

maj 6, 2004
Marko Jamnik
Biomasa

apr 8, 2004
Bojan Brecelj, Saša Petejan
Palestine

mar 31, 2004
več avtorjev
Art of Jack

mar 15, 2004
Neca Falk
Photographs

jan 23, 2004
več avtorjev
Opening Exhibition

Diana Lui: Untitled 12, 2001

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silver bromide print (8x10 inch view camera)

Milan Image Art Fair

4/5/6 May 2012

SuperstudioPiù
via Tortona 27, Milan / Italy
www.miafair.it

May 3, 2012
Preview: 2.30 pm
Opening: 6pm (invitation only)

Opening hours:
Friday May 4,2012
from 12 am to 10 pm
Saturday May 5, 2012
from 11 am to 9 pm
Sunday May 6, 2012
from 11 am to 8 pm

Galerija Fotografija at MIA Fair:

Pad 2 Booth 60

DIANA LUI

..."Before they become a work of art, Diana Lui’s nudes are images of a body, but they are also the reflection of the social environment the model belongs to as well as of the history that has formed its identity to the point that the mere image of the nude is so strong,a name associated with it becomes unnecessary. We are not faced with the concept of identity in the way a government office would define it: passport size photograph, name, age, citizenship. The nude body that is revealed here, in part of whole, often has a complex history that cannot be reduced to mere informational data, rather by a few “biographical themes” or “biographèmes”– a term used by Roland Barthes – that help put together a story. We understand quickly that Diana Lui has selected people floating in a certain transit, in travels, in encounters,the type of people who live a roving life and only land momentarily at the end of long and curious journeys. Do these young women simply undress physically or through their discourse? Although it speaks highly of th eart of the nude, laying bare one’s body does not disclose much in terms of identity, nor do the few excerpts of biographical notes.

The real source of identityis in the eyes, their expression, their look that Diana Lui’s artistic treatment of the image and quality of the portrait lead us to. The gaze can be tense like a dart ready to strike, but also be a shield to protect the thoughts and sensibility of a defenseless model left there in a delicate yet sensual state of abandonment. Nature’s diversity in body shapes and forms are clearly visible. Yet, not one body resembles another, even if a certain and fragile grace created by the art of photography, links them together. The eyes however all speak to us, they look at us to reveal a thought or an emotion. But those darts and shields are in fact a decoy; they’re not there to frighten us away but on the contrary to pull us into an interior world"...

Anne Biroleau - Lemagny
Curator, 21stCentury Photography Department, Bibliothèque Nationale de France

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Pad 2 Booth 76

EURO ROTELLI

…Rotelli's photographs are of a very specific type and format; Polaroid snapshot is the sole protagonist of his action. This tiny portion of film is, however, not content with the initial appearance with which it comes to life. Rotelli subsequently uses the negative component of the Polaroid precisely as if it was the negative of the film, and is scanned to become a photographic print on cotton paper. But it is the pre-development phase, in which the photographer acts upon the positive part of the film that reveals what is to happen. His photos manifest the desire to assume an appearance different from that with which they have been immortalised, remote from but not in contradiction with what were their origins. The offered sign posits itself as a sudden and casual operation. The signal action inserted on the photographic surface by the artist reveals itself as an energising sign, potential graphic ready to trigger new, unexpected directions. The fragments and remains of gelatine linger on the flatness of the image. Their anchorage is not devoid of consequences. It is precisely this action undergone by the positive part of the film that triggers the vivification of the photographic fabric: at this point the two-dimensionality of the shot makes way for the strength of an almost sculptural tension. The image is moulded and assumes softer and more consistent contours. With unusual hope there arrives imperfection, sought-after, seized, and offered on the photographic paper. It is precisely in the defect, the exception and the imprecision that reside the advantages that enhance Euro Rotelli’s photos.
The artist does not seek clarity, he seeks poetry…

Marta Casati,
Curator